Showing posts with label biography. Show all posts
Showing posts with label biography. Show all posts

Sunday, May 17, 2009

THE BLOOD OF LAMBS by ex-terrorist Kamal Saleem

This blog is far behind the date that it was supposed to be posted, as I was unfortunately unable to get to a computer for several days. This book, however, may be the most important one that I have reviewed in the two years I have had this blogspot. Having been intimately connected with many Arabs and Muslims for my entire adult life, I know much of the truth that Kamal Saleem imparts in his biography, The Blood of Lambs. Warning: this isn't a story for the faint of heart, but the warning and message here is important for all of us in the so-called Christian countries to read and take to heart. There is also a message about the importance of living real Christianity in everything we do; that's the only way to dispel the lies and propaganda of the devil and those who hate Jesus. It was because of true followers of Jesus that Kamal was able to finally see the lies that had fed him and his hatred all of his life.

I suppose my one concern is that readers may come away with a prejudice against all Muslims and others who come from the Middle East. This is not the intention of Kamal Saleem or his two friends that speak with him sounding the warning. There are MANY others in the USA, Canada, and the United Kingdom who are not zealous terrorists, but the cells are in place and have been for many years, right under our vvery noses. We do need to be aware, and yet we always need to show that real love that only comes from Jesus. I hope you will take the time to watch the video as well: it was that true love of true followers of Christ that won Kamal over at last.


Today's Wild Card author is:

Kamal Saleem
and the book:

The Blood of Lambs

Howard Books (April 7, 2009)



ABOUT THE AUTHOR:


Kamal Saleem was born under another name into a large Sunni Muslim family in Lebanon. At age seven, he was recruited by the Muslim Brotherhood and immediately entered a Palestinian Liberation Organization terror training camp in Lebanon. After being involved in terror campaigns in Israel, Europe, Afghanistan, and Africa, and finally making radical Islam converts in the United States, Saleem renounced jihad and became an American citizen. He has appeared on CNN, CBS News, and Fox News programs, and has spoken on terrorism and radical Islam at Stanford University, the University of California, the Air Force Academy, and other institutions nationwide.

Collaborator Writer, Lynn Vincent: Lynn Vincent, a U.S. Navy veteran, is features editor at WORLD Magazine, a national news biweekly. She is the author or co-author of six books, including the New York Times bestseller, Same of Kind of Different as Me.

This true story of an ex-terrorist reveals the life and mindset of radical Muslims. Now a US citizen, Kamal heralds a wake-up call to America.

Visit the author's website.

Product Details:

List Price: $23.99
Hardcover: 352 pages
Publisher: Howard Books (April 7, 2009)
Language: English
ISBN-10: 1416577807
ISBN-13: 978-1416577805



AND NOW...THE FIRST CHAPTER:


Beirut, Lebanon

1963

1
It was at my mother's kitchen table, surrounded by the smells of herbed olive oils and pomegranates, that I first learned of jihad. Every day, my brothers and I gathered around the low table for madrassa, our lessons in Islam. I always tried to sit facing east, toward the window above the long marble sink where a huge tree with sweet white berries brushed against the window panes. Made of a warm, reddish wood, our table sat in the middle of the kitchen and was surrounded by tesats, small rugs that kept us off the cool tile. Mother sat at the head of the table and read to us from the Koran and also from the hadith, which records the wisdom and instruction of Allah's prophet, Muhammad.

Mother's Koran had a hard black cover etched ornately in gold and scarlet. Her grandfather had given the Book to her father, who had given it her. Even as a small boy I knew my mother and father were devout Sunni Muslims. So devout, in fact, that other Sunnis held themselves a little straighter in our family's presence. My mother never went out without her hijab, only her coffee-colored eyes peering above the cloth that shielded her face, which no man outside our family had ever seen. My father, respected in our mosque, earned an honest living as a blacksmith. He had learned the trade from my grandfather, a slim Turk who wore a red fez, walked with a limp, and cherished thick, cinnamon-laced coffee.

Each day at madrassa, Mother pulled her treasured Koran from a soft bag made of ivory cloth and when she opened it, the breath of its frail, aging pages floated down the table. Mother would read to us about the glory of Islam, about the good Muslims, and about what the Jews did to us. As a four-year-old boy, my favorite parts were the stories of war.

I vividly remember the day in madrassa when we heard the story of a merciless bandit who went about robbing caravans and killing innocent travelers. "This bandit was an evil, evil man," Mother said, spinning the tale as she sketched pictures of swords for us to color.

An evil bandit? She had my attention.

"One day, there was a great battle between the Jews and the sons of Islam," she went on. "The bandit decided to join the fight for the cause of Allah. He charged in on a great, black horse, sweeping his heavy sword left and right, cutting down the infidel warriors."

My eyes grew wider. I held my breath so as not to miss a word.

"The bandit fought bravely for Allah, killing several of the enemy until the sword of an infidel pierced the bandit's heart. He tumbled from his horse and died on the battlefield."

Disappointment deflated my chest. What good is a story like that?

I could hear children outside, shouting and playing. A breeze from the Mediterranean shimmered in the berry tree. Mother's yaknah simmered on the stove — green beans snapped fresh, cooked with olive oil, tomato, onion, and garlic. She would serve it cool that evening with pita bread, fresh mint, and cucumbers. My stomach rumbled.

"After the bandit died," Mother was saying in her storytelling voice, "his mother had a dream. In this dream, she saw her son sitting on the shore of an endless crystal river, surrounded by a multitude of women who were feeding him and tending to him."

I turned back toward Mother. Maybe this story was not so bad after all.

"The bandit's mother was an observant woman, obedient to her husband and to Allah and Muhammad," my mother said. "This woman knew her son was a robber and a murderer. 'How dare you be sitting here in paradise?' she scolded him. 'You don't belong here. You belong in hell!' But her son answered, 'I died for the glory of Allah and when I woke up, He welcomed me into jannah.' "

Paradise.

My mother swept her eyes around the kitchen table. "So you see, my sons, even the most sinful man is able to redeem himself with one drop of an infidel's blood."

The Blood of Lambs © 2009 Arise Enterprises, LLC

Wednesday, December 3, 2008

Dragonwriters from Firestorm of Dragons


So you want to know about dragon writers?

Editors:

Michele Acker: Michele writes articles and short stories for various online 'zines and newsletters. Her stories have appeared in the anthologies A Time To..., the Stygian Soul, Chimeraworld #2, and F/SF. She's a contributing author for The Complete Guild to Writing Fantasy.

Kirk Dougal: Kirk owns and operates his own business consulting firm by day and struggles mightily to help raise his twin two-year-old daughters by night. During the scant few minutes of free time he can grab each day, he is an avid reader and writer of science fiction and fantasy.

Contributors:

(Not a Complete List)

Richard Bray: Richard is a 26-year-old editor at a newspaper just outside Houston, Texas. He has been published alongside Hugo Award-winning author Neil Gaiman in the anthology “Fantasy Readers Wanted – Apply Within,” and fantasy legend Piers Anthony praised his short story “Five Minutes Longer” as one of his favorites in the fantasy anthology “Enchanted Realms.” Bray’s short story “Tell Me, Lover, Are You Lonely?” will appear later this year in “Strange Stories of Sand and Sea,” published by Fine Tooth Press. He runs a 2,100-member online fantasy writing forum at http://groups.yahoo.com/group/Fantasy_Writing.

Eric Diehl: Eric likes to make stuff. Tangible things—those that you might hold in your hand, and ephemeral things—those that elude form. He’s built furniture and guitars, he’s screen-printed t-shirts, and he’s written software and designed websites. He harbors a life-long passion for motorcycling—occasionally teaching a safety class to newbies both young and old—and he persists in being confounded by the acoustic guitar. But it remains that most powerful and elusive of creations that he stands most in awe of—the story. Ink on paper, black on white, a collection of simple syllables woven into an infinitely complex journey. He's written travel articles and reviews in Rider, RV Companion (since demised), and Adventure Motorcycle magazines. Also a short in the Florida Horror anthology by Carnifex Press. A SFF novel is in final editing stages, and several other shorts are making the rounds. Learn more at www.ericdiehl.com.


Photobucket

Karina Fabian: After being a straight-A student, Karina now cultivates Fs: Family, Faith, Fiction and Fun. From Nuns in Space to a down-and out Faerie dragon working off a geas by St. George, her work takes quirky twists that keep her amused--and others, too. Winner of the EPPIE award for best sci-fi and the Mensa Owl for best fiction, she writes stories and novels about Vern, the dragon detective. (learn more at www.dragoneyepi.net.) In addition to juggling the stories from at least three different universes, Karina is President of the Catholic Writers' Guild, owner of Catholic Writers Online, and teaches writing seminars on-line. She and her husband Rob are also the skillful editors of Infinite God Infinite Space and Leaps of Faith (also being toured in November, just released). For more about Karina and her worlds, go to www.fabianspace.com.

Tina Morgan: At the age of four, Tina's mother recorded her telling a story of an unfortunate princess. Her love of storytelling has not diminished with time and Tina takes great pleasure in creating fantasy worlds and life-like characters. The managing editor for Fiction Factor (http://www.fictionfactor.com) and editor-in-chief of The Fractured Publisher (http://www.fracturedpublisher.com), Tina Morgan enjoys researching and learning more about the art and business of writing. She's a contributing author to The Complete Guide to Writing Fantasy, and The Companion Guilde to Writing Fantasy currently available with Dragon Moon Press. She's also contributed to The Complete Guide to Writing Science Fitction which features chapters from Piers Anthony and Orson Scott Card.

Bob Nailor: Bob is a retired government worker who was on the cutting edge of technology as a Systems Manager but now enjoys being an end user. Having raised four sons he enjoys spoiling his six grandchildren and weaving a tale by the campfire to excite, thrill, scare or fascinate them while on travel enjoying the sights of our great country. He still remembers his first critique, 3rd grade, of his poem, Angels and Volcanoes. His first rejection was from Children's Highlights while a sophomore in high school. Today he is published at many websites and is a contributing author to Companion Guide to Writing Fantasy and The Complete Guide to Writing Science Fiction.

He was a columnist for a small, local newspaper when he lived outside of Washington, DC and was the poetry editor and production manager for The Emporium Gazette (www.emporiumgazette.com), an online writer's ezine. He currently is the coordinator for the Northwest Ohio Writers' Conference (www.nwowc.com) which keeps him quite busy.

Kim Richards: Born and raised in the infamous Roswell, New Mexico, Kim now resides in Northern California where she writes full time. Her preferred genres are horror, science fiction, fantasy and erotica, though she has had a children's book published and non-fiction articles as well. When her fingers aren't busy tapping on the computer keyboard, she enjoys reading and movies in her preferred genres. She is a costumer and regularly participates in a Live Action Role Play group called Amtgard (for over 18 years). Her sons are grown men now, of whom she is extremely proud.

Besides editing for Eternal Press, she also edits reviews for MyShelf book reviews and produces the monthly newsletter for the women's online horror community, Pretty-Scary, along with a quarterly newsletter for her local neighborhood association (circulation approx: 3000 members). She also moderates chats for The Writer's Chatroom online. All this is supervised by a Tonkinese cat named Shemay. http://www.kim-richards.com

Sarah R. Suleski: Sarah is a 23-year-old library assistant, which she views as very fitting work for an aspiring author, if not entirely practical for those who enjoy having money. She has lived all her life in Wisconsin, USA, yet exactly 86% of that life has been spent entirely inside her own head. If you would like to know more about this exciting person, you may read more about her personal life than you are ever sure to care for at her blog, http://sarahlitarose.livejournal.com. Also, she is currently the proud owner of two websites where you can read many of her stories: the aptly named http://srsuleski.com and the more curiously named Iridescent Rhinoceri (http://irhinoceri.livejournal.com), for she believes in saturating the internet with her undeniably brilliant storytelling and fair to middling prose. Firestorm of Dragons marks her first time in print, not counting childhood endeavors with friends and their word processors. She is very excited about this, and plans to quite possibly buy more copies of the anthology than anyone, once she discovers the gold that is sure to be hidden somewhere in the basement.

John Teehan: John is a writer, artist, and musician living in Providence Rhode Island. His short fiction appears in a variety of anthologies including Men Writing Science Fiction As Women (DAW) and Low Ports (Meisha Merlin). He was a contributing author for The Complete Guide To Writing Fantasy (Dragonmoon Press), and has published poetry and non-fiction in several SpecFic markets.

He is the current Production Manager and Art Director for The SFWA Bulletin and has also provided layout and cover art for over fifty books including Forgotten Gems From The Twilight Zone Vols 1 and 2, Welcome, Foolish Mortals...The Life and Voices of Paul Frees, The Twilight Zone Scripts of Jerry Sohl, and William Nolan's Have You Seen the Wind?.

John plays the Irish tenor banjo, bodhran, 5-string banjo, mandolin, and guitar.
He's a huge movie buff, goes fishing before dawn, and dabbles in watercolor and cartooning on warm summer evenings. He was recently married to a wonderful woman who puts up with all of this.

Now Available at Amazon.com!

Monday, September 1, 2008

THE SUMMER THE WIND WHISPERED MY NAME by Don Locke



It is time for the FIRST Blog Tour! On the FIRST day of every month we feature an author and his/her latest book's FIRST chapter!






The feature author is:



and his book:


The Summer the Wind Whispered My Name
NavPress Publishing Group (August 2008)



ABOUT THE AUTHOR:


Don Locke is an illustrator and graphic artist for NBC's Tonight Show with Jay Leno and has worked as a freelance writer and illustrator for more than thirty years. He lives in Southern California with his wife, Susan. The Summer the Wind Whispered My Name, prequel to The Reluctant Journey of David Connors, is Don's second novel.



Product Details:

List Price: $12.99
Paperback: 355 pages
Publisher: NavPress Publishing Group (August 2008)
Language: English
ISBN-10: 1600061532
ISBN-13: 978-1600061530
Personal note: I haven't been able to finish the book yet, due to a deluge of obligations that all came at the same time. I'll be putting up a review soon.



AND NOW...THE FIRST CHAPTER:


Preface

Until recently my early childhood memories weren’t readily available for recollection. Call it a defective hard drive. They remained a mystery and a void—a midwestern landscape of never-ending pitch-blackness where I brushed up against people and objects but could never assign them faces or names, much less attach feelings to our brief encounters.

But through a miraculous act of divine grace, I found my way back home to discover the child I’d forgotten, the boy I’d abandoned supposedly for the good of us both. There he sat beneath an oak tree patiently awaiting my return, as if I’d simply taken a day-long fishing trip. This reunion of spirits has transformed me into someone both wiser and more innocent, leaving me to feel both old and young.

And with this new gift of recollection, my memories turn to that boy and to the summer of 1960, when the winds of change blew across our rooftops and through the screen doors, turning the simple, manageable world of my suburban neighborhood into something unfamiliar, something uncomfortable. Those same winds blew my father and me apart.


One

Route 666

With a gentle shake of my shoulders, a kiss on my cheek, and the words It’s time whispered by my mom, I woke at five thirty in the morning to prepare for my newspaper route. Careful not to wake my older brother, Bobby, snoozing across the room, I slipped out of bed and stumbled my way into the hallway and toward the bathroom, led only by the dim glow of the nightlight and a familiarity with the route.

There on the bathroom floor, as usual, my mother had laid my clothes out in the shape of my body, my underwear layered on top. You’re probably wondering why she did this. It could have been that she severely underestimated my intelligence and displayed my clothes in this fashion in case there was any doubt on my part as to which articles of clothing went where on my body. She didn’t want to face the public humiliation brought on by her son walking out of the house wearing his Fruit of the Loom undies over his head. Or maybe her work was simply the result of a sense of humor that I missed completely. Either way, I never asked.

Mine was a full-service mom whose selfless measures of accommodation put the men of Texaco to shame. The fact that she would inconvenience herself by waking me when an alarm clock would suffice, or lay out my clothes when I was capable of doing so myself, might sound a bit odd to you, but believe me, it was only the tip of the indulgent iceberg. This was a woman who would cut the crust off my PB&J sandwich at my request, set my toothbrush out every night with a wad of Colgate laying atop the bristles, and who would often put me to sleep at night with a song, a prayer, and a back scratch. In the wintertime, when the wind chill off Lake Erie made the hundred-yard trek down to the corner to catch the school bus feel like Admiral Perry’s excursion, Mom would actually lay my clothes out on top of the floor heater before I woke up so that my body would be adequately preheated before stepping outside to face the Ohio cold. From my perspective my room was self-cleaning; toys, sports equipment, and clothes discarded onto the floor all found their way back to the toy box, closet, or dresser. I never encountered a dish that I had to clean or trash I had to empty or a piece of clothing I had to wash or iron or fold or put away.

I finished dressing, entered the kitchen, and there on the maroon Formica table, in predictable fashion, sat my glass of milk and chocolate long john patiently waiting for me to consume them. My mother, a chocoholic long before the word was coined, had a sweet tooth that she’d handed down to her children. She believed that a heavy dusting of white processed sugar on oatmeal, cream of wheat, or grapefruit was crucial energy fuel for starting one’s day. Only earlier that year I’d been shocked to learn from my third grade teacher, Mrs. Mercer, that chocolate was not, in fact, a member of any of the four major food groups.

Wearing a milk mustache and buzzing from my sugar rush, I walked outside to where the stack of Tribunes—dropped off in my driveway earlier by the news truck—were waiting for me to fold them.

More often than I ever cared to hear it, my dad would point out, “It’s the early bird that catches the worm.” But for me it was really those early morning summer hours themselves that provided the reward. Sitting there on our cement front step beneath a forty-watt porch light, rolling a stack of Tribunes, I was keenly aware that bodies were still strewn out across beds in every house in the neighborhood, lying lost in their dreamland slumber while I was already experiencing the day. There would be time enough for the sounds of wooden screen doors slamming shut, the hissing of sprinklers on Bermuda lawns, and the songs of robins competing with those of Elvis emanating from transistor radios everywhere. But for now there was a stillness about my neighborhood that seemed to actually slow time down, where even the old willow in our front yard stood like one more giant dozing on his feet, his long arms hanging lifeless at his sides, and where the occasional shooting star streaking across the black sky was a confiding moment belonging only to the morning and me.

From the porch step I could detect the subtle, pale peach glow rise behind the Finnegan’s house across the street. I stretched a rubber band open across the top of my knuckles, spread my fingers apart, and slid it down over the length of the rolled paper to hold it in place. Seventy-six times I’d repeat this act almost unconsciously. There was something about the crisp, cool morning air that seemed to contain a magical element that when breathed in set me to daydreaming. So that’s just what I did . . . I sent my homemade bottle rocket blasting above the trees and watched as the red and white bobber at the end of my fishing pole suddenly got sucked down below the surface of the water at Crystal Lake, and with my Little League team’s game on the line, I could hear the crack of my bat as I smacked a liner over the third baseman’s head to drive in the go-ahead run. Granted, most kids would daydream bigger—their rockets sailed to the moon or Mars, and their fish, blue marlins at least, were hooked off Bermuda in their yachts, and their hits were certainly grand slams in the bottom of the ninth to win the World Series for the Reds—but my dad always suggested that a dream should have its feet planted firmly enough in reality to actually have a chance to come true one day, or there wasn’t much point in conjuring up the dream in the first place. Dreaming too big would only lead to a lifetime scattered with the remnants of disappointments and heartbreak.

And I believed him. Why not? I was young and his shadow fell across me with weight and substance and truth. He was my hero. But in some ways, I suppose, he was too much like my other heroes: Frank Robinson, Ricky Nelson, Maverick. I looked up to them because of their accomplishments or their image, not because of who they really were. I didn’t really know who they were outside of that. Such was the case with my dad. He was a great athlete in his younger years, had a drawer full of medals for track and field, swimming, baseball, basketball, and a bunch from the army to prove it.

It was my dad who had managed to pull the strings that allowed me to have a paper route in the first place. I remember reading the pride in his eyes earlier in the spring when he first told me I got the job. His voice rose and fell within a wider range than usual as he explained how I would now be serving a valuable purpose in society by being directly responsible for informing people of local, national, and even international events. My dad made it sound important—an act of responsibility, being this cog in the wheel of life, the great mandala. And it made me feel important, better defining my place in the universe. In a firm handshake with my dad, I promised I wouldn’t let him down.

Finishing up folding and banding the last paper, I knew I was running a little late because Spencer, the bullmastiff next door, had already begun to bark in anticipation of my arrival. Checking the Bulova wristwatch that my dad had given me as a gift the morning of my first route confirmed it. I proceeded to cram forty newspapers into my greasy white canvas pouch and loop the straps over my bike handles. Riding my self-painted, fluorescent green Country Road–brand bike handed down from my brother, I would deliver these papers mostly to my immediate neighborhood and swing back around to pick up the final thirty-six.

I picked the olive green army hat up off the step. Though most boys my age wore baseball caps, I was seldom seen without the hat my dad wore in World War II. Slapping it down onto my head, I hopped onto my bike, turned on the headlight, and was off down my driveway, turning left on the sidewalk that ran along the front of our corner property on Willowcreek Road.

I rode around to where our street dead-ended, curving into Briarbrook. Our eccentric young neighbors, the Springfields, lived next door in a house they’d painted black. Mr. and Mrs. Springfield chose to raise a devil dog named Spencer rather than experiencing the joy of parenthood. Approaching the corner of their white picket fence on my bike, I could see the strong, determined, shadowy figure of that demon dashing back and forth along the picket fence, snarling and barking at me loudly enough to wake the whole neighborhood. As was my custom, I didn’t dare slow down while I heaved the rolled-up newspaper over his enormous head into their yard. Spencer sprinted over to the paper and pounced on it, immediately tearing it to shreds—a daily reenactment. The couple insisted that I do this every day, as they were attempting to teach Spencer to fetch the morning paper, bring it around to the back of the house where he was supposed to enter by way of the doggy door, and gently place the newspaper in one piece on the kitchen table so it would be there to peruse when they woke for breakfast.

Theirs was one of only two houses in the neighborhood that were fenced in, a practice uncommon in the suburbs because it implied a lack of hospitality. Even a small hedge along a property line could be interpreted as stand-offish. The Springfields’ choice of house color wasn’t helpful in dispelling this notion. And yet it was a good thing that they chose to enclose their property because we were all quite certain that if Spencer ever escaped his yard, he would systematically devour every neighborhood kid, one by one. The strange thing was that the picket fence couldn’t have been more than three feet high, low enough for even a miniature poodle to clear—so why hadn’t Spencer taken the leap? Could it be that he was just biding his time, waiting for the right moment to jump that hurdle? So I was thankful for the Springfields’ ineptitude when it came to dog training because it allowed me to buffer Spencer’s appetite, knowing that whenever he did decide to make his move, I would most likely be the first course on the menu.

The neighborhood houses on my route were primarily ranch style, third-little-pig variety, and always on my left. On my left so that I could grab a paper out of my bag and heave it across my body, allowing for more mustard on my throw and more accuracy than if I had to sling it backhand off to my right side. This technique also helped build up strength in my pitching arm. I always aimed directly toward the middle of the driveway instead of anywhere near the porch, which could, as I’d learned, be treacherous territory. An irate Mrs. Messerschmitt from Sleepy Hollow Road once dropped by my house, screaming, “You’ve murdered my children! You’ve murdered my children!” Apparently I’d made an errant toss that tore the blooming heads right off her precious pansies and injured a few hapless marigolds. From that day on I shot for the middle of the driveway, making sure no neighbors’ flowers ever suffered a similar fate at my hands.

I passed my friend Mouse Miller’s house, crossed the street, and headed down the other side of Briarbrook, past Allison Hoffman’s house—our resident divorcée. All my friends still had their two original parents and family intact, which made Mrs. Hoffman’s status a bit of an oddity. Maybe it was the polio scare that people my parents’ age had had to live through that appeared to make them wary of any abnormality in another human being. It wasn’t just being exposed to the drug addicts or the murderers that concerned them, but contact with any fringe members of society: the divorcées and the widowers, the fifty-year-old bachelors, people with weird hairdos or who wore clothing not found in the Sears catalogue. People with facial hair were especially to be avoided.

You didn’t want to be a nonconformist in 1960. Though nearly a decade had passed, effects of the McCarthy hearings had left some Americans with lingering suspicions that their neighbor might be a Red or something worse. So everyone did their best to just fit in. There was an unspoken fear that whatever social dysfunction people possessed was contagious by mere association with them. I had a feeling my mom believed this to be the case with Allison Hoffman—that all my mother had to do was engage in a five-minute conversation with any divorced woman, and a week or so later, my dad would come home from work and out of the blue announce, “Honey, I want a divorce.”

Likely in her late twenties, Mrs. Hoffman was attractive enough to be a movie star or at least a fashion model—she was that pretty. She taught at a junior high school across town, but for extra cash would tutor kids in her spare time. Despite her discriminating attitude toward Mrs. Hoffman, my mother was forced to hire her as a tutor for my sixteen-year-old brother for two sessions a week, seeing as Bobby could never quite grasp the concept of dangling participles and such. Still, whenever she mentioned Mrs. Hoffman’s name, my mom always found a way to justify setting her Christian beliefs aside, calling her that woman, as in, “just stay away from that woman.” Mom must have skipped over the part in the Bible where Jesus healed the lepers. Anyway, Mrs. Hoffman seemed nice enough to me when I’d see her gardening in her yard or when I’d have to collect newspaper money from her; a wave and smile were guaranteed.

I delivered papers down Briarbrook, passed my friend Sheena’s house on the cul-de-sac, and went back down to Willowcreek, where I rolled past the Jensens’ vacant house. The For Sale sign had been stuck in the lawn out front since the beginning of spring. I’d seen few people even stop by to look at the charming, white frame house I remember as having great curb appeal. Every kid on the block was rooting for a family with at least a dozen kids to move in to provide some fresh blood.

A half a block later, I turned the corner and was about to toss the paper down Mr. Melzer’s drive when I spotted the old man lying under his porch light, sprawled out on the veranda, his blue overall-covered legs awkwardly dangling down the front steps of his farm house. I immediately stood up on my bike, slammed on the brakes, fish-tailed a streak of rubber on the sidewalk, dumped the bike, and rushed up to his motionless body. “Mr. Melzer! Mr. Melzer!” Certain he was dead, I kept shouting at him like he was only asleep or deaf. “Mr. Melzer!” I was afraid to touch him to see if he was alive.

The only dead body I had touched up till then was my great-uncle Frank’s at his wake, and it was not a particularly pleasant experience. I was five years old when my mom led me up to the big shiny casket where I peered over the top to see the man lying inside. Standing on my tiptoes, I stared at Frank’s clay-colored face, which I believed looked too grumpy, too dull. While alive and kicking, my uncle was an animated man with ruddy cheeks who spoke and reacted with passion and humor, but the expression he wore while lying in that box was one that I’d never seen on his face before. I was quite sure that if he’d been able to gaze in the mirror at his dead self with that stupid, frozen pouting mouth looking back at him, he would have been humiliated and embarrassed as all get out. And so, while no one watched, I started poking and prodding at his surprisingly pliable mouth, trying to reshape his smile into something more natural, more familiar, like the expression he’d worn recalling the time he drove up to frigid Green Bay in a blizzard to watch his beloved Browns topple Bart Starr and the Green Bay Packers. Or the one he’d displayed while telling us what a thrill it was to meet Betty Grable at a USO function during the war, or the grin that always appeared on his face right after he’d take a swig of a cold beer on a hot summer day. It was a look of satisfaction that I was after, and was pretty sure I could pull it off. Those hours of turning shapeless Play-Doh into little doggies and snowmen had prepared me for this moment.

After a mere twenty seconds of my molding handiwork, I had successfully managed to remove my uncle’s grim, lifeless expression. Unfortunately I had replaced it with a hideous-looking full-on smile, his teeth beaming like the Joker from the Batman comics. Before I could step back for a more objective look, my Aunt Doris let out a little shriek behind me; an older gentleman gasped, which brought my brother over, and he let out a howl of laughter, all followed by a flurry of activity that included some heated discussion among relatives, the casket’s being closed, and my mother’s hauling me out of the room by my earlobe.

But you probably don’t really care much about my Uncle Frank. You’re wondering about Mr. Melzer and if he’s a character who has kicked the bucket before you even got to know him or know if you like him. You will like him. I did. “Mr. Melzer!” I gave him a good poke in the arm. Nothing . . . then another one.

The fact is I was surprised when Mr. Melzer began to move. First his head turned . . . then his arm wiggled . . . then he rose, propping himself up onto an elbow, attempting to regain his bearings.

“Mr. Melzer?”

“What?” He looked around, glassy-eyed, still groggy. “Davy?”

I suddenly felt dizzy and nearly fell down beside him on the porch. “Yeah, it’s me.”

“I must have dozed off. Guess the farmer in me still wants to wake with the dawn, but the old man, well, he knows better.” He looked my way. “You’re white as a sheet—you okay, boy?”

Actually I was feeling pretty nauseated. “Yeah, I’m okay. I just thought . . .”

“What? You thought what?”

“Well, when I saw you lying there . . . I just thought . . .”

“That I was dead?” I nodded. “Well, no, no, I can see where that might be upsetting for you. Come to think of it, it’s a little upsetting to me. Not that I’m not prepared to meet my maker, mind you. Or to see Margaret again.” He leaned heavily on his right arm, got himself upright, and adjusted his suspenders. “The fact is . . . I do miss the old gal. The way she’d know to take my hand when it needed holdin’. Or how she could make a room feel comfortable just by her sitting in it, breathing the same air. Heck, I even miss her lousy coffee. And I hope, after these two years apart, she might have forgotten what a pain in the rear I could be, and she might have the occasion to miss me a bit, too.”

Until that moment, I hadn’t considered the possibility of the dead missing the living. Sometimes when he wasn’t even trying to, Mr. Melzer made me think. And it always surprised me how often he would just say anything that came into his head. He never edited himself like most adults. He was like a kid in that respect, but more interesting.

“You believe in heaven?” I asked Mr. Melzer.

“Rather counting on it. How ’bout you?”

“My mom says that when we go to heaven we’ll be greeted by angels with golden wings.”

“Really? Angels, huh?”

“And she says that they’ll sing a beautiful song written especially for us.”

“Really? Your mother’s an interesting woman, Davy. But I could go for that—I could. Long as they’re not sitting around on clouds playing harps. Don’t care for harp music one bit. Pretty sure it was the Marx Brothers that soured me on that instrument.”

“How so?”

“Well, those Marx Brothers, in every movie they made they’d be running around, being zany as the dickens, and then Harpo—the one who never spoke a lick, the one with the fuzzy blond hair—always honking his horn and chasing some skinny, pretty gal around. Anyway, in the middle of all their high jinks, Harpo would come across some giant harp just conveniently lying around somewhere, and he’d feel obliged to stop all the antics to play some sappy tune that just about put you to sleep. I could never recover. Turned me sour on the harp, he did. I’m more of a horn man, myself. Give me a saxophone or trumpet and I’m happy. And I’m not particularly opposed to a fiddle either. But harps—I say round ’em up and burn ’em all. Melt ’em down and turn them into something practical . . . something that can’t make a sound . . . that’s what I say.”

See, I told you he’d pretty much say anything. I don’t think that Mr. Melzer had many people to listen to him. And just having a bunch of thoughts roaming around in his head wasn’t enough. I think Mr. Melzer chattered a lot so that he wouldn’t lose himself, so he could remember who he was.

“Yeah, well, anyway, I figure I’ll go home when it’s my time,” he continued. “Just hope it can wait for the harvest, seeing as there’s no one else to bring in the corn when it’s time.”

As far back as I could remember, Mr. Melzer used to drag this little red wagon around the neighborhood on August evenings, stacked to the limit with ears of corn. And he’d go door to door and hand out corn to everybody like he was some kind of an agricultural Santa.

“Do you know I used to have fields of corn as far as the eye can see . . . way beyond the rooftops over there?”

I did know this, but I never tired of the enthusiasm with which he told it, so I didn’t stop him. About ten years before, Mr. Melzer had sold off all but a few acres of his farmland to a contractor, resulting in what became my neighborhood.

“I still get a thrill when I shuck that first ear of corn of the harvest, and see that ripe golden row of kernels smiling back at me. Hot, sweet corn, lightly salted with butter dripping down all over it . . . mmm. Nothing better. Don’t nearly have the teeth for it anymore. You eat yours across or up and down?”

“Across.”

“Me too. Only way to eat corn. Tastes better across. When I see somebody munching on an ear like this”—the old man rolled the imaginary ear of corn in front of his imaginary teeth chomping down—“I just want to slap him upside the head.”

I was starting to run very late, and he noticed me fidgeting.

“Oh, yeah, here I am blabbering away, and you got a job to do.”

“I’ll get your paper.” I ran back to my bike lying on the sidewalk.

“So I see nobody’s bought the Jensen place yet,” he yelled out to me.

I grabbed a newspaper that had spilled out of my bag onto the sidewalk, and rushed back to Mr. Melzer. “Not yet. Whoever does, hope they have kids.” I handed the old man the newspaper.

“Listen, I’m sorry I scared you,” he said.

“It’s okay.” I looked over at a pile of unopened newspapers on the porch by the door. “Mind if I ask you something?”

“Shoot.”

“How come you never read the paper?”

“Oh, don’t know. At some point I guess you grow tired of bad news. Besides, these days all the news I need is right here in the neighborhood.”

“So why do you still order the paper?”

The old man smiled. “Well, the way I see it, if I didn’t order the paper, I’d miss out on these splendid little chats with you, now wouldn’t I?”

I told you you’d like him. I grinned. “I’m glad you’re not dead, Mr. Melzer.”

“Likewise,” he said, shooting a wink my way. When I turned around to walk back to my bike, I heard the rolled up newspaper hit the top of the pile.